Door
1968 December 6 - 19
Vol. 1 No. 15
Ruben And The Jets By The Mothers
Of Invention
By Roger B. Stovold, p 13
With
rock music today expanding into many strange unexplored areas,
the Mothers have decided to turn the clock back to 1955 and
came out with an album full of icky love songs. For years now
the Mothers have been putting down the teenage idiom and its
music and have now placed themselves in the middle of it. I
am not certain yet if the Mothers are putting us on, but there
seems to be a genuine effort in expression of music which is
definitely a part of them. The album consists of a dozen short
tracks of interelated songs linked back to the rock and roll
music of the middle fifties, the best number being the last
one called "Stuff Up the Cracks", which brings us back to 1968
with Zappa going on a Clapton trip for the last minute and a
half. Mother lovers (no pun intended) may be dissapointed in
the Mothers new format but any of you who can remember as far
back as the pre-stereo stoned ages will certainly enjoy and
relive in your head some past times and that wonderful year
1955.
Source: SDSU Library
Very
brief review of the 12 April Mothers and Country Joe common
concert:
The "Country Joe" and "Mothers" concert last weekend was an
apt presentation of the skills of both groups, though Zappa
did not feel the "mothers" had enough time. He offers more pure
music than any band or individual I can think of, and, in fact,
is preparing to release a five-album package titled "No Commercial
Potential. "
Country Joe and the Fish included Peter Albin, formerly of the
Janis Joplin-Big Brother and the Holding Company. Albin reported
that Big Brother is reforming within a few weeks but there will
of course be new personnel.
Source: SDSU Library
Yes, Willie has been overcome by the frenzious electric fantasy music of Frank Zappa. Wah, Wah, Wah. Chunga’s Revenge is not however by the Mothers. According to a full page ad in Rolling Stone (November 26, I970) it is a successor to Hot Rats, Zappa’s first full fledged attempt at serious jazz away from the Mothers. Satirically and musically this album comes closer to the original Mothers’ sound than Burnt Weenie Sandwich or Weasels Ripped My Flesh, the Mothers’ last two albums. Sandwich and Weasels both come closer to the sound of Hot Rats. Most all the members of what is now called the Mothers are included (here and there) on Revenge. (read more)
Source: Independent Voices
1971 April 28 - May 12
Vol. 2 No. 24
Frank Zappa & Zubin Mehta – 200 Hotels (Bootleg)
By Mr. Jelly, p 16
Every
serious Zappa collector, of course, would be lost without
200 Motels. It did, for classical music what Hot
Rats did for jazz. Besides, this concert masterpiece will
never be released aboveground. (read
more)
Source: Independent Voices
“Little
House I Used to Live In,” the first song on the album, was a
descent hand-clapping, toestomping song which pleased everyone.
The needle tumbled into “The Mud Shark,” the first number to
really utilize the satirical voices of Frank Zappa and two talking
Turtles. The tale about making eight millimeter movies by the
Vanilla Fudge with a voluptuous young lady on hand left the
audience enthralled. What a catchy number! (read
more)
Source: Independent Voices
It
all happened at the Casino Montreux, the “Swiss Fillmore,” right
in front of the Igor Stravinsky Street, afternoon, December
4, 1971. Frank Zappa & The Mothers of Invention did their
first concert in Switzerland. With half of the Mothers’ European
tour already behind them, they enjoyed themselves in the snowy
mountains with cheese and all that Swiss stuff — then they came
down to do the concert in that unbelievably over-decorated old-fashioned
big, crazy building that was packed with a nice audience from
all over Switzerland, Italy and other places. (read
more)
Source: Independent Voices
Frank
Zappa, whose wizardry has transcended most ordinary musical
bounds and brought forth some startlingly original ideas, has
now created a film, 200 Motels. Although the film is
probably more a product of Zappa's inspiration than of his guiding
hand, he is credited as writer and director and, therefore,
must take the blame for the result. (read
more)
Source: Independent Voices
Y'see
around here at Door Music Headquarters, or DHQ, as the more
hip faction refer to it, we're kinda excited about a relatively
new band and their definitely new debut album, Geronimo
Black (Uni Records).
Last Thursday night, [Jimmy Carl] Black and his manager, Ward Duffy dropped by the door to talk about a variety of things. Among them, the new album, the group, Frank Zappa, the American Indian, Jimmy Reed, and more. (read more)
Source: Independent Voices