International Musician And Recording World
1979 January (in UK 1978 December)
Vol. 4 No. 12
Aynsley Dunbar
By Steve Rosen, pp 103-105
Frank
Zappa: Studio Tan
By Jeff Pike, pp 117-118
p 104. [...] Were you still playing a Ludwig
kit with Retaliation?
Yes I used Ludwig all the way up until I joined Zappa.
How did that come about?
I was playing with Retaliation at a big outdoor festival and
Zappa was doing the announcing. A friend of mine brought him
over to the stage where we were playing, and asked if he could
sit in. I said “sure” and he sat in on a couple of songs. Afterwards,
he came back and told me I could make a lot of money being a
session man in LA but, again, I was still being mother to the
band and felt I couldn’t do it. Later on, when I was with Blue
Whale, I went down to the Speakeasy one night and there was
a message on the door for me saying Zappa was there and he wanted
to talk to me. He asked me to join Hot Rats and I turned it
down but, within a week, I had changed my mind. I spoke to the
guys in Blue Whale and said “Whatever I think, I’ve passed up
too many gigs to be passing up this one.” So Zappa “imported”
me over and I joined Hot Rats and later the Mothers and continued
playing with him until ’72. After that, I was with Flo and Eddie
and did the Alice Cooper tours in Europe and the States. [...]
p 117. Uncle Frank goes secretive. For some reason, he has chosen
not to tell us who plays with him on this album. (In fact, the
very ugly sleeve carries more information about who designed
it than about the who, where and when of the recording within.)
Perhaps this is intended to concentrate our minds on to listening
to the music without any preconceptions, which is rather a pity
because it’s the worst thing Frank has recorded in recent years.
(read
more)
Source: worldradiohistory.com
p 20. "Peaches III" from Frank Zappa's
Tinseltown Rebellion album
(Barking Pumpkin Records CBS88516.)
IA: That's Frank Zappa. He is one of two people
who are really meaningful and totally original in the sense
that they are 100% American artists. The other artist is Captain
Beefheart. They are untainted by the British groups. Over-Nite Sensation was the best album he's done. The songs
are really songs. I also think Frank got braver with his singing.
The only other problem I have with Zappa is that he's afraid
to ever get serious. He's terribly afraid of being honest and
ever saying anything from the heart. He waves his comedy like
a shield.
Source: worldradiohistory.com
Well, there are certain people who have ears
and enough background so that they can hear something and understand
what's happening, and there are other people who are baffled
by it. I like to experiment, and most Americans don't like to
listen to experimental things. Plus, the climate today is very
dance oriented; everybody's been told to jog a lot and be healthy
and live forever, and things that fit into that lifestyle are
the things that are accepted. That's not what I do. So I just
do what I do for the people who like it. (read
more)