Uncut
[...]
But as his turgid orchestral pieces attest, Zappa was to classical
music what Prince Charles is to impressionist painting. (read
more)
The Sacred Cows column was a popular column in Uncut
around the turn of the Millennium, dismantling the reputations
of artistes and artefacts hitherto regarded to have been above
criticism. David Stubbs was The Reaper.
Source: Fulvio Fiore
2003 January
No. 68
Zappa Picks: By Larry LaLonde Of
Primus
Zappa Picks: By Jon Fishman Of Phish
By Max Bell, 1 p
2004 February
No. 81
Free CD – Sin City – 14
L.A. Rock Classics
Track 12: Frank Zappa & The Mothers Of Invention –
Son Of Suzy Creamcheese
2004 March
No. 82
The Torture Never Stops
By Barney Hoskins, 1p
Heaven's Gatefold
By Barney Hoskins, pp 60-61
2006 February
No. 105
1966 The Year Of Rock Revolution
pp 37-55, including
The 20 best albums of 1966
Re-revieved by Barney Hoskins and Mick Houghton, 2 pp 52-53
#6 Freak Out! The Mothers Of Invention
A statement of freedom from Frank Zappa, LA's ringmaster of satirical mischief, Freak Out! brings West Coast Dadaism to bear on the exploding plasticity of '60s counterculture. Trashing the LA scene, Zappa guides us through mondo Sunset Strip, while dipping into his treasured doo-wop ("Go Cry On Somebody Else's Shoulder") and chronicling the city's 1965 Watts riots ("Trouble Every Day") en passant. (BH)
John Cale included Thing-Fish as "The Record That Made Me Hate Frank Zappa".
I have a healthy resentment for him. He had a great, acid sense of humour, but this guy, with all his technique and ability, never did anything that made me love music. I think he trained himself in his expertise to spite his parents: he had contempt for the rock music he played. And self-contempt. Fear, loathing and self-hatred. Thing-Fish just postured at nihilism.
Source: Vitay Zaremba
2010 May
No. 156
The 50 Greatest Lost Albums
pp 47-62
#2 Captain Beefheart Lick My Decals Off
#43 Frank Zappa & The Mothers 200 Motels
Album reviews compiled from interviews
with different musicians:
Freak Out! - Ray Collins
Hot Rats - Ian Underwood
We're Only In It For The Money - Ian Underwood, Don Preston
Chunga's Revenge - Ian Underwood, George Duke
Waka/Jawaka - George Duke
Apostrophe (') - Napoleon Murphy Brock
One Size Fits All - Napoleon Murphy Brock
Bongo Fury - George Duke
Ship Arriving Too Late To Save A Drowning Witch - Scott Thunes
Source: Nikolai Zaharov
This is the cover story in this issue, where Paul Weller blind date reviews songs.
Frank Zappa "Peaches En Regalia"
(Immediately) "This is Keith West, from that album
that's got 'Excerpt From A Teenage Opera' on it. You know, the
'Grocer Jack' tune. The producer's name is Mark Wirtz. They
did a whole album in the '60s that they never properly finished,
but the RPM label put it out years ago." (Simon Dine briefly
enters the room: "Ah, Frank Zappa'") "Was it the RPM label that
put it out, Simon? (Surprised) This is Frank Zappa? Really?
I don't know his music at all. I've only seen him on TV documentaries.
(Listens attentively) This is mental. It's got some jazz in
it, but it's quite 'arranged', isn't it? They're definitely
not jamming. No, this is wicked. It's got a bit of prog-rock
in the chord pregressions, but I really like it because you
can't place what it is. Really good!"
2011 March
No. 166
Captain Beefheart, American Visionary,
1941-2010
By David Cavanagh, Ian McDonald, John 'Drumbo'
French, Michael Bonner, Anton Corbijn, pp 30-37
2012 March
No. 178
Jim Sherwood (obituary)
By Uncut, p 21
From Straight To Bizarre (DVD review)
By Mick Houghton, p 109
2012 October
No. 185
The Zappa Motherlode: 12 albums
reissued this month and 48 more by the end of the year
By David Cavanagh, pp 89-91
2013 December
No. 199
Captain Beefheart And His Magic
Band: Trout Mask Replica (review)
By John Robinson, p 90
2014 December
No. 211
Captain Beefheart and The Magic
Band
Sun Zoom Spark: 1970 to 1972
By John Robinson, pp 85-87
This autumn sees the opening of two major Van Vliet exhibitions by the Michael Werner Gallery – only the second and third since his death in December 2010. Both feature work that lays bare his growing disenchantment with human kind.
Body Shop is at the Michael Werner Gallery in London, September 30 to December 5; Don Van Vliet: Beatle Bones N’ Smokin Stones is at Michael Werner Kunsthande in Cologne, September 5 until October 24.
Source: Vitaly Zaremba
2016 October
No. 233
Frank Zappa for President/The Crux
Of The Biscuit (review)
By Peter Watts, p 53
2017 October
No. 245
Frank Zappa & The Mothers Of Invention: Absolutely Free
(review)
By Jesse Jarnow, pp 46-47