Modern Drummer

 USA

 
Glossy american monthly for both rock & jazz drummers with the usual amount of interesting interviews, instructional columns, equipment presentations and reviews. Most interviews of interest to the general public. Recommended. (rojaro)

1981 November

Vol. 5 No. 8 Issue 28

 

Terry Bozzio: Burnin'
By Robin Tolleson, pp 22-24, 94-97


It takes a special drummer to work with Frank Zappa, whose music is a combination of just about everything. Terry Bozzio not only met the challenge, but he did it so well as to become one of the most popular and best known of Zappa's long roster of drummers. Bozzio offers an interesting look into today's music scene, and into his own musical development. (read more)

Source: archive.org

 

1982 August/September

Vol. 6 No. 6 Issue 35

 

Ed Mann: Expanding Percussion
By Rick Mattingly, pp 14-17, 74-77, 79


As percussionist for Frank Zappa, Ed Mann is called upon to play virtually all types of music while using every possible percussion instrument. In this exclusive MD interview, Ed describes what is involved in maintaining the ability to play so many instruments, and offers a glimpse into the inner workings of one of the most unique bands in cintemporary music. (read more)

Source: archive.org

 

1982 November

Vol. 6 No. 8 Issue 37

 

Vinnie Colaiuta
By Robyn Flans, pp 8-11, 46, 48, 50, 52, 54, 56-58


Occasionally, a lot of people will start talking about a certain musician – "Hey, have you heard...?" Most recently, Vince Colaiuta has captured this kind of attention. First coming to prominence with Frank Zappa, Vinnie has gone on to make his mark on the L.A. studio scene. MD caught up with Vinnie, and probed the background of " the new guy in town." (read more)

Source: archive.org

 

1983 May

Vol. 7 No. 5 Issue 37

 

Chad Wackerman: Enjoying All Challenges
By Dave Levine, pp 14-17, 52, 54, 56


Any drummer who can handle gigs with such diverse artists as Frank Zappa, Alan Holdsworth and Bill Watrous deserves respect, and when that drummer is revealed to be only 22 years old, the respect becomes combined wit amazement. Chad discusses the backgrounds which prepared him for these very demanding musical situations. (read more)

  

Source: archive.org