Record Business
THE
LEGAL hassles involving WEA and his new label CBS are obviously
having little effect on Zappa's live performances. At Hammersmith
last weekend, he turned out a technically faultless show that
smacked of true professionalism and delighted an audience converted
to his skills years ago. (read
more)
Source: worldradiohistory.com
FRANK
ZAPPA: Joe’s Garage Acts II & III (CBS 88475) Prod: Frank
Zappa
By superhuman effort, Zappa has brought us the second half of
his Joe’s Garage project before the first part has
entirely faded from the memory, adding to its interest value
among British fans. It is in the tradition of We're Only
In It For The Money and the Live At The Fillmore East
set with plenty of highly scuzzy language and a story line about
electronic erotica and a totalitarian society in which music
and musicians are thrown in jail under the concept of 'total
criminalisation' designed to bring uniformity ot the last degree
under the eyes of the law. In between come some extended examples
of Zappa's very best guitar work and lots of forbidding music.
Source: worldradiohistory.com
FRANK
ZAPPA: Ship Arriving Too Late To Save a Drowning Witch (CBS
85804) Prod: Frank Zappa
The latest in Zappa's increasingly swiftly-turned-out albums
is a six-track single set which focuses on guitar virtuosity,
plus the inevitable slab of heavy-handed social sarcasm - this
time aimed at brainless girls hailing from a certain district
of Hollywood, called 'Valley Girl' and is as cutting as anything
he has done this decade. An extra inducement to buy the record
is the addition of a free 7-inch 33rpm disc which features a
mercurial guitar workout called 'Variations on the Carlos Santana
Secret Chord Progression.' For once, a manageable-sized Zappa
album and one that deserves attention.
Source: worldradiohistory.com
LONDON
SYMPHONY ORCHESTRA PLAYS FRANK ZAPPA
London, Barbican Centre
ZAPPA HAD already warned that this was to be no 'rock-plus-strings' evening and how right he proved to be. It was a full-scale excursion into the realms of modern classical music – with all the discordant tedium and intense, intellectual posturing that that genre so often provides. (read more)
Source: worldradiohistory.com