Total Guitar

 UK

Total Guitar was a monthly music magazine based in Bath, the United Kingdom, published from 1994 to 2024. The magazine was owned by Future plc, who published other guitar magazines like Guitarist, Guitar Player, Guitar Techniques, Guitar World, Australian Guitar and Bass Player.

1996 September

Issue 22

Frank Zappa: The Re-Issues
The story behind Zappa's two greatest albums
Apostrophe & One Size Fits All
Tim Tucker, 2 pp
Free CD

Frank Zappa – San Ber'dino


2004 May

Issue 122

Rewind: Frank Zappa
By Steven Rosen, pp 76-79


Edited interview with Frank Zappa, originally published in Guitar Player, January 1977.

2011 April

Issue 213

The Final Countdown. 10 Excuses For Rubbish Guitar Playing
p 176


2011 September

Issue 218

The Final Countdown. 10 Onstage Injures
p 176


2013 Winter

Issue 238

The A-Z Of Prog Guitar
Z Zappa, Frank: Frankly Brilliant

p 56


"Frank would write music for me to play that just had no business being performed on a guitar," Steve Vai told TG of his years as Zappa's 'stunt guitarist'. Jumping from classical-inspired sound collages to extended jazz-fusion improvisations, this was a band who lived without rules, helmed by a songwriter who played without limits. Though the mustachioed one died of prostate cancer in 1993, his son Dweezil's Zappa Plays Zappa tribute tours bring that questing spirit back from the grave.

Source: Vitaly Zaremba

2020 July

Issue 333

100 Greatest Guitarist
19 Frank Zappa

p 40


In 2019 Guitarist quizzed Frank's son Dweezil on performing his father's legendary Hot Rats album live.
"I had to make a decision: how much of this record will I play note-for-note? Certain things were worth playing exactly the same. Like, obviously, the solo in Peaches En Regalia and Son Of Mr Green Genes, because that song is just so idiosyncratic. It's my dad, doing what he does, and you're not gonna top it. For others, like Willie The Pimp, I chose to learn a lot of the phrases but fill in the spaces between those guideposts with my own playing so I can also be free in my improvisation. But even when I'm playing freely, I'm still filtering what I play through his vocabulary. I know a lot of things that my dad would favour, the things that would be something he'd play. I didn't want to take a big left-turn and suddenly think, 'Oh, we're in a totally different space'.
"One thing you hear him do a lot is mix up different versions of triplets. He's got these really groovy pentatonic-bluesy runs where he's squeezing triplets in places that most people wouldn't think to do. And it's because he started as a drummer. It's almost like he's got little rudiment-type articulations. It's like sticking exercises or something – that have been attached to notes."